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| Time | Artist | Title | Length | Album | Year | Composer | Label | Listeners |
| 0:00:00 | Tears For Fears | The Tipping Point | 4:23 | The Tipping Point | 2022 | 54 | ||
| 0:04:17 | miwshowopen | 1:10 | 58 | |||||
| 0:11:11 | Marillion | Hotel Hobbies | 3:31 | Clutching at Straws | 1987 | Ian Mosley; Mark Kelly; Pete Trewavas; Steve Rothery; William Dick | Toshiba EMI | 61 |
| 0:14:43 | Marillion | Warm Wet Circles | 4:23 | Clutching at Straws | 1987 | Ian Mosley; Mark Kelly; Pete Trewavas; Steve Rothery; William Dick | Toshiba EMI | 61 |
| 0:19:06 | Soen | Antagonist | 5:59 | 2021 | 61 | |||
| 0:27:02 | Dim Gray | Mare | 3:51 | Firmament | 2022 | English Electric Recordings | 55 | |
| 0:30:54 | Crystal Palace | Beautiful Nightmare | 11:55 | The System Of Events | 2013 | 57 | ||
| 0:42:49 | Long Earth | The Source | 6:44 | The Source | 52 | |||
| 0:51:54 | KARMAMOI | The New World | 9:32 | ROOM 101 | 2021 | 52 | ||
| 1:01:26 | Oak | Fire Walk With Me! | 6:16 | Lighthouse | 2013 | 51 | ||
| 1:07:42 | RPWL | The Fisherman | 16:14 | Beyond Man and Time | 2012 | Kalle Wallner | Gentle Art of Music | 52 |
| 1:44:44 | AmuZeum | Carousel | 11:49 | New Beginnings | 2020 | 46 | ||
| 1:56:32 | Dim Gray | Avalon – the Tide | 4:05 | Firmament | 2022 | English Electric Recordings | 42 | |
| 2:00:37 | Frameshift | La Mer | 5:44 | Unweaving the Rainbow | 2004 | Cash | Progrock | 42 |
| 2:09:44 | Ostura | ARCANE What Could Have Been Ostura Cinematic Cover (1) | 3:39 | Sting | 41 | |||
| 2:13:28 | ‘Lonely Robot’ | ’02. Digital God Machine’ | 5:54 | ‘A Model Life’ | 41 | |||
| 2:19:22 | Dim Gray | Long Ago | 3:41 | Firmament | 2022 | English Electric Recordings | 40 | |
| 2:25:01 | Leprous | Running Low | 6:24 | Aphelion | 2021 | 40 | ||
| 2:31:25 | Bent Knee | Hold Me In | 4:48 | You Know What They Mean | 2019 | 42 | ||
| 2:36:13 | Discipline | Carmilla | 9:32 | Push & Profit | 1985 | Matthew Parmenter | Strung Out Records | 39 |
| 2:45:44 | Saxondale – Genesis | 0:23 | 41 | |||||
| 2:51:04 | Dim Gray | Meridian | 4:48 | Firmament | 2022 | English Electric Recordings | 35 |