Start Artist Song Time Album Year
Lost Harbours
0:00:56 Lost Harbours Lake 3:41 Towers Of Silence 2017
Upupamaya
0:05:10 Upupayāma Thimpu 7:06 Mount Elephant 2024
Emma Ruth Rundle
0:12:38 Emma Ruth Rundle Medusa 5:06 Marked For Death 2016
Compassionizer
0:18:17 Compassionizer For Them Who Shall Be Heirs of Salvation 4:58 The Fellowship Of Mystery 2024
Vitskar Suden
0:24:02 Vitskär Süden Through Tunnels They Move 4:48 Vessel 2024
Andy Aquarius
0:29:16 Andy Aquarius Ein Vogellîn 3:34 Forest Grimoire 2024
Kanaan AEvestaden
0:33:20 Kanaan & Ævestaden Farvel 6:53 Langt, langt vekk 2024
Ethan Janais
0:40:37 Ethan Janais Parasol 9:44 Ultralight 2024
Ekatarina Shelehova
0:50:46 Ekaterina Shelehova Myth of Europe (Ancient Lyre improvisation) 2:55 Myth of Europe (Ancient Lyre improvisation) 2024
Ryan Shirlow & David Colohan
0:54:05 Ryan Shirlow & David Colohan Through You, I See 3:57 Through Me, You Pass – Through You, I See 2024
The Owl Service
0:58:29 The Owl Service The Garden Gate 3:50 Black Chapel Music Part 3 2024
  1. Ethereal, dreamy, sometimes nightmarish free folk music from a collective of sorts. Richard Thompson (not that one, this one), provides lyrics, quavery vocals, guitars, and “atmospheric sounds,” with Emma Reed on clarinet, and flute and vocals, as well as Sabine Moore and Diana Collier on vocals. The result is murky, dark, and utterly phantasmagoric.
    1. Veering from psychedelia to folk with some world and krautrock elements thrown into the mix, Upupamaya is multi-instrumentalist Alessio Ferrari, who resides not far from Parma, Italy. The music is hypnotic and meditative, exotic and esoteric. The vocals are rather mysterious, which suits the intricate musical tapestry.
      1. Emanating from my neck of the woods, this Portland, OR singer/songwriter’s release is drenched in melancholy. It appears to intimately explore her emotions during an intense period of loss and self-reflection. Her confessional tone with the hushed, whispery vocals, in the echo-y production are absolutely addictive.
        1. This masterful quartet with two multi-instrumentalists returns with a knockout of evocative and imaginative music. The array of instruments features the rarely heard spinet, plus guitars, bass, synths, drums, clarinet, violin, trumpet, rubab, doira, kalimba, and even ukulele. This truly deserves to be heard from start to finish, with the epic final track being absolutely stunning, but since I’m compelled to choose a shorter favourite, going with For Them Who Shall Be Heirs of Salvation.
          1. Angelenos Vitskär Süden bring on the heavy psych. The distinctive, deep voice of their singer and bassist, Martin Garner, makes them instantly recognizable. The band is rounded out with guitars and drums, and they’ve added cello, violin, and keyboards, plus Kristi Merideth on backing and a solo vocal as well. The lyrics are foreboding and vivid. Altogether intriguingly dark and chilling.
            1. Harpist Andy Aquarius teams up with a wooded setting and brings 8 improvised pieces, accented with birdsong and trees rustling in the breeze. You feel as though you are sitting in the glade with him, the production is very “live,” and pristine. His impeccable playing is reverent and effervescent, inviting one to stop and stay in the forest for a while with him.
          1. This is actually a merging of two Norwegian acts, Kanaan, and Ævestaden. They have delivered an amalgamation of traditional Norwegian folk music and hymns with psych and folktronica sensibilities, to lovely effect. Instruments are fiddles, cow’s horn, kravik lyre, mouth harp, synths, guitar, percussive elements and male and female vocals.