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Start | Artist | Song | Time | Album | Year |
Lost Harbours | |||||
0:00:56 | Lost Harbours | Lake | 3:41 | Towers Of Silence | 2017 |
Upupamaya | |||||
0:05:10 | Upupayāma | Thimpu | 7:06 | Mount Elephant | 2024 |
Emma Ruth Rundle | |||||
0:12:38 | Emma Ruth Rundle | Medusa | 5:06 | Marked For Death | 2016 |
Compassionizer | |||||
0:18:17 | Compassionizer | For Them Who Shall Be Heirs of Salvation | 4:58 | The Fellowship Of Mystery | 2024 |
Vitskar Suden | |||||
0:24:02 | Vitskär Süden | Through Tunnels They Move | 4:48 | Vessel | 2024 |
Andy Aquarius | |||||
0:29:16 | Andy Aquarius | Ein Vogellîn | 3:34 | Forest Grimoire | 2024 |
Kanaan AEvestaden | |||||
0:33:20 | Kanaan & Ævestaden | Farvel | 6:53 | Langt, langt vekk | 2024 |
Ethan Janais | |||||
0:40:37 | Ethan Janais | Parasol | 9:44 | Ultralight | 2024 |
Ekatarina Shelehova | |||||
0:50:46 | Ekaterina Shelehova | Myth of Europe (Ancient Lyre improvisation) | 2:55 | Myth of Europe (Ancient Lyre improvisation) | 2024 |
Ryan Shirlow & David Colohan | |||||
0:54:05 | Ryan Shirlow & David Colohan | Through You, I See | 3:57 | Through Me, You Pass – Through You, I See | 2024 |
The Owl Service | |||||
0:58:29 | The Owl Service | The Garden Gate | 3:50 | Black Chapel Music Part 3 | 2024 |
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Ethereal, dreamy, sometimes nightmarish free folk music from a collective of sorts. Richard Thompson (not that one, this one), provides lyrics, quavery vocals, guitars, and “atmospheric sounds,” with Emma Reed on clarinet, and flute and vocals, as well as Sabine Moore and Diana Collier on vocals. The result is murky, dark, and utterly phantasmagoric.
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Veering from psychedelia to folk with some world and krautrock elements thrown into the mix, Upupamaya is multi-instrumentalist Alessio Ferrari, who resides not far from Parma, Italy. The music is hypnotic and meditative, exotic and esoteric. The vocals are rather mysterious, which suits the intricate musical tapestry.
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Emanating from my neck of the woods, this Portland, OR singer/songwriter’s release is drenched in melancholy. It appears to intimately explore her emotions during an intense period of loss and self-reflection. Her confessional tone with the hushed, whispery vocals, in the echo-y production are absolutely addictive.
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This masterful quartet with two multi-instrumentalists returns with a knockout of evocative and imaginative music. The array of instruments features the rarely heard spinet, plus guitars, bass, synths, drums, clarinet, violin, trumpet, rubab, doira, kalimba, and even ukulele. This truly deserves to be heard from start to finish, with the epic final track being absolutely stunning, but since I’m compelled to choose a shorter favourite, going with For Them Who Shall Be Heirs of Salvation.
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Angelenos Vitskär Süden bring on the heavy psych. The distinctive, deep voice of their singer and bassist, Martin Garner, makes them instantly recognizable. The band is rounded out with guitars and drums, and they’ve added cello, violin, and keyboards, plus Kristi Merideth on backing and a solo vocal as well. The lyrics are foreboding and vivid. Altogether intriguingly dark and chilling.
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Harpist Andy Aquarius teams up with a wooded setting and brings 8 improvised pieces, accented with birdsong and trees rustling in the breeze. You feel as though you are sitting in the glade with him, the production is very “live,” and pristine. His impeccable playing is reverent and effervescent, inviting one to stop and stay in the forest for a while with him.
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This is actually a merging of two Norwegian acts, Kanaan, and Ævestaden. They have delivered an amalgamation of traditional Norwegian folk music and hymns with psych and folktronica sensibilities, to lovely effect. Instruments are fiddles, cow’s horn, kravik lyre, mouth harp, synths, guitar, percussive elements and male and female vocals.
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Previously recording under the name of Echo Us, this artist emerges with another wondrously light and faerie-like offering. Here, he primarily utilizes various synthesizers, with guitars, hammered dulcimer and several percussive elements, along with very effected, washy vocals. Spellbinding.
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Another beautiful (sadly just a) single from Italian opera singer, Ekaterina Shelehova. Here, she pairs with Theodoros Koumartzis on lyre for a gorgeous improvisational piece, which just gives me chills. As usual, I could go for a full album (or several) of her material, my persistent and only complaint.
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This EP was inspired by a recent lunar eclipse. The music exudes distance and grace of motion. Guitars, synthesizers, strings, banjo, some spoken word and also choir vocals create a sense of mystery, wonder, and awe.
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2 song EP, or single? No matter, this is top-notch stuff. One traditional piece and one original. Steven Collins plays all instruments and sings on Above the HIll, with Liz Overs providing her haunting voice on The Garden Gate. Both pieces are excellent, but having a special place in my heart for eeriness, going with The Garden Gate as my favourite piece of the two.
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